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Correggio

Italian 1489-1534 Correggio Locations

Måleriet identifieringen::  517
Ecce Homogeneous
Nationell Galleri , London
Italian 1489-1534 Correggio Locations Titta min galleri i Sverige
 
 
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Mihaly Munkacsy

1844-1900 Hungarian Mihaly Munkacsy Locations

Måleriet identifieringen::  2801
Ecce Homo
1895-96 Hånfull Museum. Debrecen
1844-1900 Hungarian Mihaly Munkacsy Locations Titta min galleri i Sverige
 
 
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MORALES, Luis de

Spanish Mannerist Painter, ca.1520-1586

Måleriet identifieringen::  8272
Ecce Homo
Panel Hispanic Samfund av USA. New York
Spanish Mannerist Painter, ca.1520-1586 Titta min galleri i Sverige
 
 
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MORALES, Luis de Ecce Homo oil painting reproduction

   
 

 

 
   
      

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CIGOLI

Italian Baroque Era Painter, 1559-1613

Måleriet identifieringen::  28939
Ecce Homo
mk65 Olja på segelduk 68 7/8x53 3/8in Pitti
Italian Baroque Era Painter, 1559-1613 Titta min galleri i Sverige
 
 
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Domenico Fetti

Italian painter , Rome 1589 - Venice 1623

Måleriet identifieringen::  29027
Ecce Homo
mk65 Olja på segelduk 53 9/16x44 1/16in Uffizi
Italian painter , Rome 1589 - Venice 1623 Titta min galleri i Sverige
 
 
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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Måleriet identifieringen::  34436
Ecce Homo
mk93 1634 Olja på papper 21 1/2x17 1/2in Nationell Gallery.London
Born 1606, Died 1669 Titta min galleri i Sverige
 
 
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REMBRANDT Harmenszoon van Rijn Ecce Homo oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  39594
Ecce homo
mk150 1543 Canvas 242x361cm
Titta min galleri i Sverige
 
 
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Titian Ecce homo oil painting reproduction

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Måleriet identifieringen::  42448
Ecce Homo
mk168 1512 117x75mm
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg Titta min galleri i Sverige
 
 
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Albrecht Durer Ecce Homo oil painting reproduction

   
 

 

 
   
      

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Correggio

Italian 1489-1534 Correggio Locations

Måleriet identifieringen::  43014
Ecce Homo
mk170 1525-1527 Oil on poplar 99.7x80cm
Italian 1489-1534 Correggio Locations Titta min galleri i Sverige
 
 
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Correggio Ecce Homo oil painting reproduction

   
 

 

 
   
      

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MASSYS, Quentin

Flemish Northern Renaissance Painter, ca.1465-1530

Måleriet identifieringen::  43551
Ecce Homo
c. 1515 Oil on panel 160 x 120 cm
Flemish Northern Renaissance Painter, ca.1465-1530 Titta min galleri i Sverige
 
 
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RENI, Guido

Italian Baroque Era Painter, 1575-1642

Måleriet identifieringen::  50997
Ecce Homo
c. 1639 Oil on canvas Pinacoteca Nazionale, Bologna
Italian Baroque Era Painter, 1575-1642 Titta min galleri i Sverige
 
 
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RENI, Guido Ecce Homo oil painting reproduction

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Måleriet identifieringen::  55985
ecce homo
mk247 c.1500,tempera on canvas,21.25x16.5 in,54x42 cm,musee jacquemart-andre,paris,france
Italian 1431-1506 Andrea Mantegna Locations Titta min galleri i Sverige
 
 
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CEREZO, Mateo

Spanish painter (b. ca. 1626, Burgos, d. 1666, Madrid)

Måleriet identifieringen::  62365
Ecce Homo
98 x 75 cm Museum of Fine Arts, Budapest This painting shows the influence of Van Dyck, both the colours and the composition is close to the Flemish Baroque painting. However, its pathos and sentimentality relate it to contemporary Spanish religious painting
Spanish painter (b. ca. 1626, Burgos, d. 1666, Madrid) Titta min galleri i Sverige
 
 
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Måleriet identifieringen::  62415
Ecce Homo
1560-70 Polychrome wood Diocesan Museum, Valladolid One of the more interesting foreign artists who worked in Spain during the second third of the sixteenth century is the Frenchman Juan de Juni, whose sculpture is noted for its spirituality, manifested in full and beautiful forms, natural in their proportions but declamatory in their distortion of gesture. Juni may have been trained in Italy, since his art shows evidence of contact with the Lombard Renaissance and Michelangelo. In about 1533 he appears in Le?n but by 1541 he was settled in Valladolid. Several of his works deserve individual mention, among them the retables in Valladolid and Burgo de Osma cathedrals, and the Entombment in Segovia cathedral, dating from 1571, which combines figures on the same theme forming part of another Entombment, preseved in the Museum in Valladolid
Titta min galleri i Sverige
 
 
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unknow artist Ecce Homo oil painting reproduction

   
 

 

 
   
      

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SOLARI, Andrea

Italian painter (b. ca. 1475, Milano, d. 1515, Pavia).

Måleriet identifieringen::  63556
Ecce Homo
Panel Accademia Carrara, BergamoArtist:SOLARI, Andrea Title: Ecce Homo Painted in 1501-1550 , Italian - - painting : religious
Italian painter (b. ca. 1475, Milano, d. 1515, Pavia). Titta min galleri i Sverige
 
 
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SOLARI, Andrea Ecce Homo oil painting reproduction

   
 

 

 
   
      

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Philippe de Champaigne

1602-1674 Philippe de Champaigne Locations

Måleriet identifieringen::  68281
Ecce Homo
Description Ecce Homo Date XVIIe siecle Source/Photographer Huile sur toile
1602-1674 Philippe de Champaigne Locations Titta min galleri i Sverige
 
 
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Philippe de Champaigne Ecce Homo oil painting reproduction

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Måleriet identifieringen::  78620
Ecce Homo
Oil on panel Dimensions Deutsch: 30 x 19 cm cyf
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg Titta min galleri i Sverige
 
 
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Albrecht Durer Ecce Homo oil painting reproduction

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Måleriet identifieringen::  79673
Ecce Homo
Oil on panel Dimensions Deutsch: 30 x 19 cm cyf
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg Titta min galleri i Sverige
 
 
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Albrecht Durer Ecce Homo oil painting reproduction

   
 

 

 
   
      

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Albert Chmielowski

(born Adam Hilary Bernard Chmielowski; 1845 - 1916) was a Polish religious brother and founder of the Albertines. He is a saint of the Catholic Church. Albert is also known as Brat Albert (Brother Albert); in recognition of his holiness, he has also been called the "Brother of Our Lord", "Brother of Our God", and "Our God's Brother". Adam Chmielowski was born to a wealthy aristocratic family, and initially studied agriculture with the intention of managing the family estate. Involved in politics since his youth, he lost a leg at the age of 17 while fighting in an insurrection. He became a well-known and well-liked artist in Krakew, his political convictions inspiring his interest in the human condition. A gentle and compassionate spirit, Chmielowski felt compelled to help those in need and after years of reflection, decided to follow his calling into the service of God. In 1880, Chmielowski joined the Jesuits, took up the name Albert and abandoned painting. He began a life of service to the poor. In 1887, he founded the Brothers of the Third Order of Saint Francis, Servants of the Poor, known in honor of their founder as the Albertines or the Gray Brothers, after their rough gray habits. In 1891, he founded the women's congregation, the Gray Sisters. The Albertines organized food and shelter for the poor and homeless. Albert believed that the great calamity of our time is that so many refuse to see and relieve the suffering of others. The so-called "haves" live away from the "have-nots", ignoring them and leaving their care to society.

Måleriet identifieringen::  81567
Ecce Homo
Date 1881(1881) Medium Oil on canvas Dimensions 146 x 96.5 cm (57.5 x 38 in) cjr
(born Adam Hilary Bernard Chmielowski; 1845 - 1916) was a Polish religious brother and founder of the Albertines. He is a saint of the Catholic Church. Albert is also known as Brat Albert (Brother Albert); in recognition of his holiness, he has also been called the "Brother of Our Lord", "Brother of Our God", and "Our God's Brother". Adam Chmielowski was born to a wealthy aristocratic family, and initially studied agriculture with the intention of managing the family estate. Involved in politics since his youth, he lost a leg at the age of 17 while fighting in an insurrection. He became a well-known and well-liked artist in Krakew, his political convictions inspiring his interest in the human condition. A gentle and compassionate spirit, Chmielowski felt compelled to help those in need and after years of reflection, decided to follow his calling into the service of God. In 1880, Chmielowski joined the Jesuits, took up the name Albert and abandoned painting. He began a life of service to the poor. In 1887, he founded the Brothers of the Third Order of Saint Francis, Servants of the Poor, known in honor of their founder as the Albertines or the Gray Brothers, after their rough gray habits. In 1891, he founded the women's congregation, the Gray Sisters. The Albertines organized food and shelter for the poor and homeless. Albert believed that the great calamity of our time is that so many refuse to see and relieve the suffering of others. The so-called "haves" live away from the "have-nots", ignoring them and leaving their care to society. Titta min galleri i Sverige
 
 
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Lovis Corinth

German Painter, 1858-1925

Måleriet identifieringen::  86347
Ecce homo
Date 1925(1925) Medium Oil on canvas cjr
German Painter, 1858-1925 Titta min galleri i Sverige
 
 
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Lovis Corinth Ecce homo oil painting reproduction

   
 

 

 
   
      

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Hieronymus Bosch

Netherlandish Northern Renaissance Painter, ca.1450-1516

Måleriet identifieringen::  86351
Ecce Homo
Date between 1475(1475) and 1480(1480) Medium tempera and Oil on oak panel cjr
Netherlandish Northern Renaissance Painter, ca.1450-1516 Titta min galleri i Sverige
 
 
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Ecce Homo

are the Latin words used by Pontius Pilate in the Vulgate translation of the John 19:5, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The King James Version translates the phrase into English as Behold the Man. The scene is widely depicted in Christian art. The Ecce homo is a standard component of cycles illustrating the Passion and Life of Christ in art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often being combined. The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem. But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrow(s) (also Misericordia). If the "Instruments of the Passion" are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects.

Måleriet identifieringen::  87598
Ecce Homo
Date 1548(1548) Medium Oil on slate Dimensions Height: 68 cm (26.8 in). Width: 53 cm (20.9 in). cjr
are the Latin words used by Pontius Pilate in the Vulgate translation of the John 19:5, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The King James Version translates the phrase into English as Behold the Man. The scene is widely depicted in Christian art. The Ecce homo is a standard component of cycles illustrating the Passion and Life of Christ in art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often being combined. The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem. But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrow(s) (also Misericordia). If the "Instruments of the Passion" are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects. Titta min galleri i Sverige
 
 
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Ecce Homo Ecce Homo oil painting reproduction

   
 

 

 
   
      

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Antonello da Messina

1430-1479 Italian Antonello da Messina Galleries

Måleriet identifieringen::  87887
Ecce Homo
Date 1474(1474) Medium Oil on wood Dimensions Deutsch: 39,7 x 32,7 cm cjr
1430-1479 Italian Antonello da Messina Galleries Titta min galleri i Sverige
 
 
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Quentin Matsys

Flemish Northern Renaissance Painter, ca.1465-1530

Måleriet identifieringen::  89293
Ecce Homo
1526(1526) Medium oil on wood cyf
Flemish Northern Renaissance Painter, ca.1465-1530 Titta min galleri i Sverige
 
 
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Quentin Matsys Ecce Homo oil painting reproduction

   
 

 

 
   
      

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Quentin Matsys

Flemish Northern Renaissance Painter, ca.1465-1530

Måleriet identifieringen::  89294
Ecce Homo
1526(1526) Medium oil on wood cyf
Flemish Northern Renaissance Painter, ca.1465-1530 Titta min galleri i Sverige
 
 
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Quentin Matsys Ecce Homo oil painting reproduction

   
 

 

 
   
      

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Heronymus Bosch

Bois-le-Duc ca 1450-1516

Måleriet identifieringen::  89321
Ecce Homo
16th century Medium oil on panel Dimensions 61.5 x 52 cm (24.2 x 20.5 in) cyf
Bois-le-Duc ca 1450-1516 Titta min galleri i Sverige
 
 
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SODOMA, Il

Italian High Renaissance Painter, 1477-1549

Måleriet identifieringen::  89799
Ecce Homo
1510(1510) Medium oil on poplar cyf
Italian High Renaissance Painter, 1477-1549 Titta min galleri i Sverige
 
 
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Abraham Janssens

van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter. He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth. Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded. His students include Gerard Seghers and Theodoor Rombouts.

Måleriet identifieringen::  91065
Ecce Homo
1612-1613 Medium oil on panel Dimensions 126 x 96 cm (49.6 x 37.8 in) cyf
van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter. He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth. Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded. His students include Gerard Seghers and Theodoor Rombouts. Titta min galleri i Sverige
 
 
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Anonymous

unknow artist

Måleriet identifieringen::  91436
Ecce Homo
from 1601(1601) until 1650(1650) Medium oil on copper Dimensions 57 x 74 cm (22.4 x 29.1 in) cyf
unknow artist Titta min galleri i Sverige
 
 
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Hieronymus Bosch

Netherlandish Northern Renaissance Painter, ca.1450-1516

Måleriet identifieringen::  92789
Ecce Homo
Date c. 1496-1500 Medium oil on oak panel Dimensions 73 X 57.2 cm (28.7 X 22.5 in) TTD
Netherlandish Northern Renaissance Painter, ca.1450-1516 Titta min galleri i Sverige
 
 
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Quentin Matsys

Flemish Northern Renaissance Painter, ca.1465-1530

Måleriet identifieringen::  93657
Ecce Homo
1526(1526) Medium oil on panel Dimensions Height: 95 cm (37.4 in). Width: 74 cm (29.1 in). cjr
Flemish Northern Renaissance Painter, ca.1465-1530 Titta min galleri i Sverige
 
 
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Antonello da Messina

1430-1479 Italian Antonello da Messina Galleries

Måleriet identifieringen::  94655
Ecce Homo
1475 Type Oil on panel Dimensions 48.5 cm x 38 cm (19.1 in x 15 in) cyf
1430-1479 Italian Antonello da Messina Galleries Titta min galleri i Sverige
 
 
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Caravaggio

Italian Baroque Era Painter, ca.1571-1610

Måleriet identifieringen::  94793
Ecce Homo
1605 Type Oil on canvas Dimensions 128 cm x 103 cm (50 in x 41 in) cyf
Italian Baroque Era Painter, ca.1571-1610 Titta min galleri i Sverige
 
 
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Ecce Homo

are the Latin words used by Pontius Pilate in the Vulgate translation of the John 19:5, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The King James Version translates the phrase into English as Behold the Man. The scene is widely depicted in Christian art. The Ecce homo is a standard component of cycles illustrating the Passion and Life of Christ in art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often being combined. The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem. But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrow(s) (also Misericordia). If the "Instruments of the Passion" are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects.

Måleriet identifieringen::  95773
Ecce Homo
between 1600(1600) and 1610(1610) Medium oil on canvas cyf
are the Latin words used by Pontius Pilate in the Vulgate translation of the John 19:5, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The King James Version translates the phrase into English as Behold the Man. The scene is widely depicted in Christian art. The Ecce homo is a standard component of cycles illustrating the Passion and Life of Christ in art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often being combined. The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem. But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrow(s) (also Misericordia). If the "Instruments of the Passion" are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects. Titta min galleri i Sverige
 
 
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Ecce Homo Ecce Homo oil painting reproduction

   
 

 

 
   
      

Ecce Homo
are the Latin words used by Pontius Pilate in the Vulgate translation of the John 19:5, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The King James Version translates the phrase into English as Behold the Man. The scene is widely depicted in Christian art. The Ecce homo is a standard component of cycles illustrating the Passion and Life of Christ in art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often being combined. The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem. But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrow(s) (also Misericordia). If the "Instruments of the Passion" are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects.
Ecce Homo

        
 
   
 

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